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Friday, November 15, 2019

Shooter Literary Magazine submissions guidelines

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Please submit work appropriate to the theme in Word or Pages format, 1.5 or double spaced, with word count indicated at the end of the piece.

Literary fiction, creative non-fiction and narrative journalism should fall between 2,000 and 7,500 words. Any non-fiction or journalistic work selected for publication will be fact-checked. Please submit only one story and/or up to three poems per issue. Simultaneous submissions are welcome but let us know if your work is accepted elsewhere. All work must be previously unpublished either in print or online.

Submissions for Issue #11 should relate to the theme Supernatural. Send us stories, essays, reported narratives, memoirs and poetry on anything to do with the occult. Psychological spookiness, eerie suspense, weird mysteries and unexplained phenomena are welcome elements, as well as the more obvious demons, angels, witches and ghosts. Religious themes are also relevant. Writing must be of a literary standard, not genre fare trading on shocks or gore. As always, the theme is open to wide interpretation.

Please include a brief 2-3 sentence biography in the cover letter, noting any prior publishing experience, and email work to submissions.shooterlitmag@gmail.com by November 17th, 2019. Successful writers will hear from us within a few weeks of the deadline, if not before. If you do not hear from us after that time, please assume that we will not be publishing your work. Due to the volume of submissions we no longer send rejection emails.

Rights:

Shooter acquires first rights for print and online/e-book publication and reserves the right to publish work that has appeared in the magazine on its website and related social media.

Payment:

Upon publication, writers will be paid £25 per story and £5 per poem. Stories that fall below the requested minimum of 2,000 words will be paid at poetry rates. Artists will be paid £25 for use of their work as magazine illustration. UK contributors will receive a copy of the issue in which their work appears; non-UK contributors may choose to receive either cash payment or a copy of the issue in which their work appears.

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